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Formato: ePub

series "Fuori collana"

pp. 208, Brossura, 978-88-15-38252-8
publication year 2022

DAVID GOSSET (a cura di)

Preface, by David Gosset

I. The Tianjin Juilliard School as a Cultural Bridge, by Alexander Brose

II. China, the UN, and the Global Opportunity for Partnerships and Progress, by Siddharth Chatterjee

III. The Role of Design in the Relationship between China and the World, by Aldo Cibic

IV. Searching for Common Ground in Difference: A Lesson in Translation, by Belén Cuadra-Mora

V. The Role of Books, Publications and Libraries – and Librarians – in the Relationship between China and Europe, by Luciana del Buono

VI. The Impact of Chinese Musicians on Classical Music, by Frederick du Plessis

VII. The Role of Art in the Relations between China and the World, and the Story of Gabarron’s Artistic Presence in China, by Juan Gabarron

VIII. Building a Shared Culture between East and West?, by Louis Godart

IX. China in the World. Translation(s) in Progress, by David Gosset

X. Old and New Chinese Cultures through Digital Heritage, by Sarah Kenderdine

XI. China-Sri Lanka: Two Millennia of Mutually Enriching Cultural Relations, by Palitha Kohona

XII. Cultural Relations between China and Russia, by Ivona Ladjevac

XIII. The Role of Archaeology in the Relationship between China and the World, by Deborah Lehr

XIV. Knitting New Silk Road Dreams: Cultural Relations between China and Central Asia, by Aleksandar Mitic

XV. Experiences in Fostering Mutual Understanding in the Context of the Relations between Europe and China, by Romano Prodi

XVI. Institutions, Society, and Social Representations, by Jean-Philippe Raynaud

XVII. Cultural Relations between China and Latin America: An Overview from Spain, by Augusto Soto

XVIII. Chinese Cultural Diplomacy in Africa, by Ljiljana Stevic

XIX. The Taihu World Cultural Forum: An Advocate of Cultural Exchanges between China and the World, by Yan Zhaozhu

XX. Perception and Representation. Introducing Chinese Landscape Painting and Flower-and-Bird Painting, by Yang Renmin

Acknowledgments